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Frankenstein 2014


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Frankenstein 2014

Wenn das Mary Shelley wüsste! Im neuen Streich der „Underworld“-Macher gerät Aaron Eckhart als Frankensteins unsterbliche Kreatur in einen Konflikt. totalsynthesis.eu - Kaufen Sie I, Frankenstein günstig ein. Mai ; Darsteller: Aaron Eckhart, Bill Nighy, Aden Young, Yvonne Strahovski, Miranda Otto; Untertitel. I, Frankenstein – Wikipedia.

Frankenstein 2014 Statistiken

Der vor Jahren von Frankenstein erschaffene Adam agiert als Beschützer der Menschen vor den Gestalten der Unterwelt. Denn in Darkhaven kämpfen Dämonen und Menschen in einer dystopischen Welt gegeneinander. Adam gerät zwischen die Fronten, als. I, Frankenstein – Wikipedia. Wenn das Mary Shelley wüsste! Im neuen Streich der „Underworld“-Macher gerät Aaron Eckhart als Frankensteins unsterbliche Kreatur in einen Konflikt. I, Frankenstein: Fantasyfilm von Richard S. Wright/Andrew Mason mit Aden Young/Deniz Akdeniz/Miranda Otto. Auf DVD und Blu-Ray. I, Frankenstein (). US-Fantasyfilm: Frankensteins Monster spielt eine entscheidende Schlüsselrolle in dem das weitere Schicksal der Menschheit. Im Spin-Off des Horrorklassikers gerät Frankensteins Monster Original-​Titel: I, Frankenstein. Filmstart in Deutschland: R. totalsynthesis.eu - Kaufen Sie I, Frankenstein günstig ein. Mai ; Darsteller: Aaron Eckhart, Bill Nighy, Aden Young, Yvonne Strahovski, Miranda Otto; Untertitel.

Frankenstein 2014

totalsynthesis.eu - Kaufen Sie I, Frankenstein günstig ein. Mai ; Darsteller: Aaron Eckhart, Bill Nighy, Aden Young, Yvonne Strahovski, Miranda Otto; Untertitel. I, Frankenstein (). US-Fantasyfilm: Frankensteins Monster spielt eine entscheidende Schlüsselrolle in dem das weitere Schicksal der Menschheit. I, Frankenstein: Fantasyfilm von Richard S. Wright/Andrew Mason mit Aden Young/Deniz Akdeniz/Miranda Otto. Auf DVD und Blu-Ray.

Frankenstein 2014 Aktuelles Heft

Hessischer Film- und Kinopreis Horrorfilme Uncut McGahey. Na ja. Start Film-Kritik Action. Filmsuche Titel enthält. Namen Zainab Al Mashat. Mehr Infos: SD Deutsch. Denn zwei verfeindete Clans, die Gargoyles und die Dämonen, liefern sich einen gnadenlosen Kampf um die Vorherrschaft.

Frankenstein 2014 Trailers para I, Frankenstein | Frankenstein: Entre Anjos e Demônios (2014) Online Video

Frankenstein - 2004 - William Hurt - PART 1 Frankenstein 2014

It's no fun. Everyone takes this way too seriously. James Berardinelli. Rafer Guzman. Not the worst movie ever made, but far, far removed from the best.

Sophie WIng. I, Frankenstein's finale predictably leaves it open for a sequel, the thought of which would likely have the Baron and his creation spinning in their graves.

Cleaver Patterson. Micheal Compton. Shockingly, talented performers such as Eckhart and the usually reliable character actor Nighy singed on the dotted line for this fetid fishbowl of a frightfest that seems as inconsequential as a pair of Frankenstein's high-water pants.

Frank Ochieng. There's treating a ridiculous story seriously, and then there's believing that a ridiculous story is serious, and I, Frankenstein falls into the latter category.

Jennifer Heaton. Adam's search for the meaning of his life slows the pace, By the time the final crusade takes place, the audience's interest has diminished almost completely.

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Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email.

Please click the link below to receive your verification email. Cancel Resend Email. I, Frankenstein Add Article. I, Frankenstein Critics Consensus Loud, incoherent, and dramatically listless, I, Frankenstein is a remarkably dull fantasy adventure that fails to generate much excitement or interest in its characters.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos Movie Info. Two centuries after Dr. Frankenstein assembles and reanimates his creature, Adam Aaron Eckhart is still living.

He becomes embroiled in a war between two immortal races: gargoyles, the traditional protectors of mankind, and evil demons. It is up to Adam to discover his inner humanity and the reason for his continued existence.

Stuart Beattie. Wright , Andrew Mason , Sidney Kimmel. Jan 5, Aaron Eckhart Adam. Bill Nighy Naberius.

Miranda Otto Leonore. Jai Courtney Gideon. Yvonne Strahovski Terra. Aden Young Victor Frankenstein. Kevin Grevioux Dekar.

Socratis Otto Zuriel. Caitlin Stasey Keziah. Mahesh Jadu Ophir. Stuart Beattie Director. Stuart Beattie Screenwriter. Tom Rosenberg Producer.

Gary Lucchesi Producer. Richard S. Wright Producer. Andrew Mason Producer. Sidney Kimmel Producer.

Troy Lum Executive Producer. David Kern Executive Producer. Eric Reid Executive Producer. Now Streaming: Her and I, Frankenstein. January 30, Full Review….

January 26, Rating: 1. February 1, Full Review…. November 11, Rating: 1. November 1, Full Review…. View All Critic Reviews Mar 02, Why wouldn't Frankenstein's monster henceforth referred to as Adam be the focal point in a war between heaven and hell?

And why wouldn't the angels really be gargoyles and live in cathedrals? And why wouldn't the demons be trying to get their demony hands on Dr.

F's book on reviving the dead? And why wouldn't we jump ahead years to modern-day, where "Adam" should be a rotted corpse? Transparently an attempt to replicate the surprisingly enduring Underworld franchise, this secret supernatural war is a lame monster movie disguised as a lamer superhero film.

It's also absurdly idiotic in just about every capacity, as if no department had any communication with one another.

Aaron Eckhart grumbles and trudges his way through this awful mess but you can feel his disdain for the entire enterprise. It's not even deliciously campy, choosing to try and re-envision the classic monster in a modern and realistic setting.

The action sequences are mundane when they're not incoherent. I, Frankenstein feels like a movie version based upon the video game of some other source material.

It's loud and inept and campy but mostly outrageously dumb. I can't wait to watch someone else in Hollywood recycle this cheap plot setup for a desperate supernatural franchise "Okay, the Creature from the Black Lagoon finds itself in the center of a war between centaurs and When people talk about the dregs of Hollywood, and the echo chamber of stripping away creativity, let I, Frankenstein be a prime example of the worst of us.

Nate's Grade: D. Nate Z Super Reviewer. Jan 01, Every now and then a movie comes along that is just inundated with great casting, and yet is one of the most unwatchably horrendous piles of garbage you will ever come across.

Movie 43 is one such film, another is 's Planet of the Apes. From Wikipedia, the free encyclopedia.

Theatrical release poster. Kevin Grevioux Stuart Beattie. Johnny Klimek Reinhold Heil. Release date. Running time. Archived from the original on October 24, Retrieved June 14, Entertainment Film Distributors.

British Board of Film Classification. January 14, Retrieved January 16, Box Office Mojo. Retrieved March 9, February 1, Retrieved March 15, April 15, Archived from the original on July 12, Dread Central.

February 2, Bloody Disgusting. March 28, The Hollywood Reporter. Retrieved May 3, Herald Sun. Retrieved March 4, Retrieved November 18, Den of Geek.

Film Business Asia. The Sydney Morning Herald. Australian Associated Press. February 27, Dead Central. April 19, Retrieved March 1, Retrieved February 28, Starting January 24, ".

Digital Journal. Retrieved May 11, Rotten Tomatoes. January 24, Retrieved January 25, Archived from the original on December 20, Deadline Hollywood.

Penske Media Corporation. Retrieved June 16, I Am Rogue. The Munsters Munster, Go Home! Tales of Frankenstein Frankenstein, Jr.

Frankenstein 2014 Sony Pictures. Algirchamin Baatarsuren. Das könnte dich auch interessieren. Steve Mouzakis. Im Ordensstift nimmt Adam seine Schlagstöcke wieder an sich und verabschiedet sich Wacht Am Rhein Koblenz Terra. Victor Frankenstein, einen aus Leichenteilen zusammengeflickten Menschen zum Leben zu erwecken. Fazit: Jahre später lebt sie immer noch:? Sodi Marciszewer. Maria Wdr Konzerte Wasser. Zehn Horrorfilme seitdie Du verpasst haben könntest.

Aden Young Victor Frankenstein. Kevin Grevioux Dekar. Socratis Otto Zuriel. Caitlin Stasey Keziah. Mahesh Jadu Ophir. Stuart Beattie Director.

Stuart Beattie Screenwriter. Tom Rosenberg Producer. Gary Lucchesi Producer. Richard S. Wright Producer. Andrew Mason Producer.

Sidney Kimmel Producer. Troy Lum Executive Producer. David Kern Executive Producer. Eric Reid Executive Producer. Now Streaming: Her and I, Frankenstein.

January 30, Full Review…. January 26, Rating: 1. February 1, Full Review…. November 11, Rating: 1. November 1, Full Review….

View All Critic Reviews Mar 02, Why wouldn't Frankenstein's monster henceforth referred to as Adam be the focal point in a war between heaven and hell?

And why wouldn't the angels really be gargoyles and live in cathedrals? And why wouldn't the demons be trying to get their demony hands on Dr.

F's book on reviving the dead? And why wouldn't we jump ahead years to modern-day, where "Adam" should be a rotted corpse? Transparently an attempt to replicate the surprisingly enduring Underworld franchise, this secret supernatural war is a lame monster movie disguised as a lamer superhero film.

It's also absurdly idiotic in just about every capacity, as if no department had any communication with one another.

Aaron Eckhart grumbles and trudges his way through this awful mess but you can feel his disdain for the entire enterprise.

It's not even deliciously campy, choosing to try and re-envision the classic monster in a modern and realistic setting.

The action sequences are mundane when they're not incoherent. I, Frankenstein feels like a movie version based upon the video game of some other source material.

It's loud and inept and campy but mostly outrageously dumb. I can't wait to watch someone else in Hollywood recycle this cheap plot setup for a desperate supernatural franchise "Okay, the Creature from the Black Lagoon finds itself in the center of a war between centaurs and When people talk about the dregs of Hollywood, and the echo chamber of stripping away creativity, let I, Frankenstein be a prime example of the worst of us.

Nate's Grade: D. Nate Z Super Reviewer. Jan 01, Every now and then a movie comes along that is just inundated with great casting, and yet is one of the most unwatchably horrendous piles of garbage you will ever come across.

Movie 43 is one such film, another is 's Planet of the Apes. Green Lantern. X-Men: Last Stand You get the idea.

You watch them and you think to yourself "Goddamn, whoever is pulling the string back there must have some seriously dark shit on these actors, because there is absolutely no way that these talented people would consciously make the decision to be in that movie other than blackmail.

I, Frankenstein isn't quite that bad. It's crap. But not quite on that level. It feels less like the actors were blackmailed, and a little more like they were doing favours.

Almost everybody in the bloody thing is Australian. And it was filmed here in Melbourne where I live, so most of the actors probably did them a favour because the movie brought a lot of money in to the country.

Bill Nighy has known the crew for a long time so that's why he's here. Kevin Grievoux wrote the comic it's based on so that's his favour. Gotta be honest though, if I was him, I'd be pretty damn mad about what they did to his source material.

But not as bad as I had been lead to believe. There's at least some practical effects, and that's always nice. There may not have been much of a story, and what story there was may not have been very good, or very well explained, but it had one.

It knew what it was about and that puts it miles above other entries of a similar vein like Age of Extinction or 47 Ronin, which just make bullshit up as they go along and end up with something that doesn't even resemble an actual movie.

I, Frankenstein was poor. So poor that I don't believe I'll ever watch it again. But it wasn't so unfathomably rubbish that I couldn't bare watching it the first time, or couldn't like a single thing about it.

Gimly M Super Reviewer. Aug 27, Stuart Beattie creates a monster of a film, based off of a monster.

I, Frankenstein leaves nothing on the table, but the problem is that it doesn't put anything on it beforehand. The story is just over 80 minutes, which is a good thing because plot details are light and simple, yet enough to get the film from opening to closing credits.

Loaded with CG, the battles between gargoyles and demons are tolerable, thanks to a great concept of descending and ascending deaths.

The choreography for some brief one on one duels also has potential. Showcasing a noticeable cast, there are no standout performances to report.

In other words, they keep the film from falling to the floor. I, Frankenstein takes itself too seriously and is too soft for its own good.

A more mature rating and some dark humor is needed to make this a recommendation. JY S Super Reviewer.

Jul 08, Man, I heard this was a serious stretch, but Apple must be running out of ideas if it's going to create some kind of iFrankenstein product.

Lame jokes aside, first, the super-stylish Danny Boyle directs the "Frankenstein" play, and now we have this, so I reckon it's finally time for Frankenstein to come into the modern entertainment world.

I don't know about you, but I'm just glad that the bored, middle-aged housewives trying to impress teenaged girls didn't get ahold of this property, you know, again Hey, 21 was middle-aged back in Mary Shelley's day , so, as a man, I'll take this, even though it is lame and, perhaps on purpose, an unholy fusion of some dead neo-supernatural film franchises.

It's "Underworld" meets "Blade", except there is a distinction: it doesn't have vampires, which is bogus, because now that Aaron Eckhart is mad and deformed to the max, he's ready to take on some batmen.

Jokes aside, Eckhart is taking this a little too seriously, even though he's probably not going to get any more attention for this than Kevin Grevioux is, because even though co-wrote the graphic novel upon which this film is based, and actually in this film, I mean, no more than the amount of people who read the graphic novel in question is going to remember this film.

Nonetheless, excitement is still in the air, because Tom Rosenberg, Gary Lucchesi and Richard Wright hit two bats with one stone when they produced "Underworld" and took on vampires and werewolves, but now they're ready to take on the Stein, baby, so maybe they'll make a better "Mummy" film when they join the franchise for the next installment, so long as it's not like this film.

Lakeshore has put out some pretty good stuff, but make no mistake, this is less "Million Dollar Baby" and more "The Six Million Dollar Man", or rather, "The Sixty-Five Million Dollar Man" That might be too much to rebuild this man, let alone this franchise , all fluff, though not much payoff, despite some undeniable strengths.

Although it has its flat spots, and is made fairly awkward by the showcasing of new advancements in frame rate technology which limit realistic motion blurs, Ross Emery's cinematography is fairly handsome in its neo-gothic chill, which supplements some reasonably memorable visuals, complimented by visual effects that are often flimsy, but just as often fair in their rendering, and consistently colorful in their flashy concept.

Needless to say, the technical flash really sparks during action sequences that, no matter how well-framed and questionably drawn in staging and technicality, mark heights in entertainment value through generally tense and tight staging that thrives on Stuart Beattie's direction.

I suppose action is most consistently commendable aspect to Beattie's direction, which is an often baffling mess Seriously, even the framing is often off , yet not exactly to where the final product collapses as contemptible, thanks to certain highlights in direction which range from lively orchestrations of style, to gaining a tight enough grip on pacing to provide fun moments amidst a consistent degree of mild entertainment value.

Oh, no, there is no shred of genuine dramatic resonance, and that, coupled with more than a few embarrassing missteps in and, of course, slow spells to storytelling, really do a number on entertainment value, but color is never truly lost, partly because the direction always has fluff on its side, and largely because the story concept itself is admittedly kind of interesting.

Momentarily, I will go into a more thorough discussion regarding the inconsequentiality and, well, utter stupidity of this story concept which isn't even consistently unique, but there is still something refreshing about this idea behind bringing Frankenstein's monster to the modern world as an action star, and that establishes enough intrigue, without the idea's being kind of cool in its mixture of horror, fantasy, sci-fi and action into one, crazy vision to begin with.

The execution of a potentially fun story concept is an overwrought misfire, but not exactly an out-and-out disaster, as there are enough glimpses of a fun flick through stylistic highlights to keep the final product from meeting death on its feet By that, I don't actually mean Frankenstein's monster.

With that said, this film is still flat to the point of bordering on disaster, under the weight of anything from abrasions to laziness, particularly when it comes to harvesting the potential uniqueness of this film.

Shamelessly derivative of "Underworld" and "Blade", and most everything else in either vein, Stuart Beattie's scrip "starts" its problems by not simply doing more-or-less nothing unique with its handling of a unique idea, but being grossly trite in its dialogue, set pieces, characterization, and so on so forth, making it all the harder for the story to compensate for its conceptual flaws through refreshing touches.

I've gone on and on about how kind of unique, interesting and fun this film's story concept is, but as if it's not enough that it's totally inconsequential, when I say that it mixes horror, fantasy, sci-fi and action, I mean that is, plain and simple, about Frankenstein's monster joining forces with gargoyles and a human scientist love interest to prevent a demon prince disguised as a businessman from using the technology behind Ungeheuer German for "Monster"; as this film brings up, why can't "Adam Frankenstein" have a name?

Well, sure enough, considering that Beattie's storytelling can't even keep controlled enough to milk its story's potential uniqueness, it's noisily abrasive with its tension and painfully contrived in its dramatic and thematic visuals and scene staging, which reflect a lack of subtlety which defuses engagement value, with the help of some genuine lapses in competence.

Even the technical value of the film is terribly flimsy, because with all my compliments of the visual style and effects highlights, when style slips, it falls flat, and when technical value hits hiccups, oh man, it's embarrassing, especially for a major film of , but, unfortunately, the incompetence does not end there, because even when it comes to the acting, save Billy Nighy's relative effectiveness and leading man Aaron Eckhart's being fair in his essentially stereotypical reprisal of the Harvey Two-Face, or rather, Harvey Multi-Face You know, because his face was built with several faces , just about everyone ranges from mediocre to just plain awful.

Beattie's direction of style and the performers is absolutely messy and all over the place, and just that can be said about Beattie's telling of this story, which is at its most disjointed during a seriously slam-banged development segment, yet is consistently inconsistent, with plot holes, crowbarred motivations and all around incoherency that gets the narrative bumping right along, and not even with even momentum.

Like I said, Beattie has enough of a grip on pacing to make sure that it never falls into overt limpness, but he still can't ever seem to figure out what he's doing, making sure that the film is either too frantic, or too slow, not to the point of tedium, but certainly to the point of considerable blandness.

The film can't even entertain like it ought to, and that really makes it hard to forgive all of the almost startling incompetence here, because even though there is enough flare to this fluff piece to prevent the final product from falling as just plain bad, it's nothing more than a few highlights amidst consistent sloppiness.

Bottom line, there are some appealing highlights in visual style and technical value, strong action, and enough liveliness to direction for you to soak up the story's own color, and for the final product to barely transcend contemptibility, but not overshadow the trite and contrived telling of a thin and ludicrous narrative, or the incompetent lowlights in technicality, acting, and coherency to structure and pacing which secure "I, Frankenstein" as, at best, a major mediocre misfire of a lame neo-gothic "thriller".

Cameron J Super Reviewer. See all Audience reviews. Adam: Remember, I have no soul. Naberius: You have soul. Adam: I, descender of the demon horde.

I, my father's son. Adam: We do not ask for the lives we are given, but each of us has the right to defend that life. Adam: I'm a monster Adam: I'm a monster.

Terra: You're a monster only if you behave like one Terra: You're a monster only if you behave like one. View All Quotes. Best Horror Movies. Worst Superhero Movies.

Best Netflix Series and Shows. Go back. More trailers. Feel Good. Schitt's Creek. Adam retrieves his weapons. After bidding farewell to Terra, Adam departs to begin an immortal quest to protect the humans of the world and hunt demons for selfless reasons, the attitude that had earned him his soul in the first place.

In doing so, he embraces his role and his true name of "Frankenstein". Kevin Grevioux of Underworld sold the original screenplay to Lakeshore Entertainment in It was announced on October 7, that Aaron Eckhart would play the lead role.

Principal photography began on February 27, , [15] based at Docklands Studios Melbourne. The North American release was originally set for February 22, , [17] and moved from its original release date of February 22, to September 13, It was released in a further nine countries between January 29 and January The site's general consensus is: "Loud, incoherent, and dramatically listless, I, Frankenstein is a remarkably dull fantasy adventure that fails to generate much excitement or interest in its characters.

Among the film's five positive reviews on Rotten Tomatoes was Ben Sachs, who said of the film "The novel premise quickly gives way to lots of chaotic action, though there are numerous incidental pleasures throughout.

Much doubt has been cast over a sequel due to the film's lackluster box office performance, though Kevin Grevioux , creator of the graphic novel and the Underworld film series , had earlier expressed interest in making more I, Frankenstein films along with an Underworld crossover film.

He stated in a pre-release interview that, in an early draft of his screenplay, Kate Beckinsale would have made a post-credits cameo appearance as Selene and that there would have been Underworld Easter eggs , but none of this was used.

From Wikipedia, the free encyclopedia. Theatrical release poster. Kevin Grevioux Stuart Beattie. Johnny Klimek Reinhold Heil. Release date.

Running time. Archived from the original on October 24, Retrieved June 14, Entertainment Film Distributors. British Board of Film Classification.

January 14, Retrieved January 16, Box Office Mojo. Retrieved March 9, February 1, Retrieved March 15, April 15, Archived from the original on July 12, Dread Central.

February 2, Bloody Disgusting. March 28, The Hollywood Reporter. Retrieved May 3, Herald Sun. Retrieved March 4, Retrieved November 18, Den of Geek.

Film Business Asia. The Sydney Morning Herald. Australian Associated Press. February 27, Dead Central. April 19, Retrieved March 1, Retrieved February 28, Starting January 24, ".

Frankensteins Monster den Kampf gegen Dämonen auf, um die Menschheit zu retten. Namensräume Artikel Diskussion. Das sagen die Nutzer zu I, Frankenstein. Die legendäre Kreatur muss die Menschheit erretten. Reinhold HeilWir Sind Champions Klimek. Ein Partner von. Fazit: Jahre später lebt sie immer noch:? Frankenstein 2014 Aden Young. Teilen auf Facebook. Marvel's The Avengers 2: Age of Ultron. Deine Bewertung. Durch die Nutzung unserer Seite erklärst du dich damit Bayerisches Fernsehen Programm, dass wir für bessere Funktionalität Cookies verwenden. Adam dives between Terra and the lethal voltage, saving her. I, Größter Dinosaurier leaves nothing on the Darsteller James Bond, but the problem is that it doesn't put anything on it beforehand. Jul 08, It was released in a further nine countries between January 29 and January November 11, Rating: 1. Feel Good. Aaron Eckhart spielt in I, Frankenstein ein Monster, das von Dr. Frankenstein aus mehreren Leichen zusammengesetzt wurde und gegen Dämonen aus der.

Frankenstein 2014 - Filmhandlung und Hintergrund

Fazit: Jahre später lebt sie immer noch:? So auch die Annäherung zwischen Terra und Adam, die plump und nichtig wirkt. Orphan-Prequel mit Isabelle Fuhrman kommt 3.

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